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8 January 1836 – 25 June 1912. Most renowned painters.

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LISSE, Dirck van der
Sleeping Nymph after 1642

ID: 51980

LISSE, Dirck van der Sleeping Nymph after 1642
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LISSE, Dirck van der Sleeping Nymph after 1642


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LISSE, Dirck van der

Dutch painter (b. 1607, Den Haag, d. 1669, Den Haag)   Related Paintings of LISSE, Dirck van der :. | Eastcliff Castle,Ramsgate (mk47) | Last Supper | The Virgin of the Immaculate Conception | namnsdag pa harbret | Portrait of Jacopo Gradenigo sg |
Related Artists:
Simon Vouet
French Simon Vouet Gallery 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting.
Axel Jungstedt
painted Portrait - Lady in Black Dress in 1882
ARALDI, Alessandro
Italian Painter, ca.1460-1530 He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of early Venetian Renaissance painters such as Giovanni Bellini and Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the Dispute before the emperor Maximilian and St. Catherine and St. Jerome, including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, and for the age, more modern, style.






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